_why is a role, not a person

Jan 16 2013

http://whytheluckystiff.net/ has re-ignited a discussion about _why, and while I have tons and tons and tons of things to say on the subject, this is all I can give you for now: _why is a role, not a person.

For a long time, I was talking about a separation between _why and the person who played him. I still have not yet figured out how to refer to that person, and so for now, I’ve settled on Subject. So I’ll be using that description for the rest of this post.

All the world’s a stage

All the world’s a stage, And all the men and women merely players:Shakespeare, “As You Like It,” Act II Scene VII

One of the things I’ve learned as I’ve gotten a little older (21 days till 27!) is that I’m a different person in different situations. This may seem painfully obvious, but let’s expand on this a bit: when I’m on stage at a Ruby conference, I’m one person, when I’m by myself at home, I’m a different person, online, I’m a different person, and when I’m spending time with someone I care about, I’m someone else. Each of these contexts produces different behavior, mannerisms, and vocabulary. When I’m speaking with someone who’s read French Postmodernism, I use very different terms than when I’m speaking with my Republican ’Murican relatives.

There’s absolutely nothing wrong with this, but it really suggests that ‘essentialism’ is not a thing that can properly model the world. “Essentialism” is a position that states that there is some set of attributes that one can possess to ‘be’ something. So, for example, let’s take a Zebra: some essential attributes may be:

Four legs
Black with White Stripes

http://www.flickr.com/photos/kliski/4816615762/

Shit.

Double shit.

So what makes a zebra a zebra then? I don’t want to get into it, but basically, I take the position that you can’t define something by what it is, you have to define it by what it does. I’m punting on why this is, again, I want to talk about _why, so please give me a charitable reading and take this as axiomatic for now.

If we’re defined by what we do, then it makes sense that we can contextualize what we do: we can take on different roles at different times. When I program in Ruby, I am a Rubyist; when I ride a bike, I am a cyclist, when I have a child, I am a father, when I love and am loved, I am a lover.

When you treat programming as an art, when you treat software as an artistic medium, when you spread joy and whimsy with what you do, you are _why.

It just so happens that Subject was the person who created this particular role, as was the one who best played it. That doesn’t mean that we can’t also try to take that role on from time to time, try out out, see if it fits, wiggle our toes a bit.

_why vs. Subject

This is one of the reasons I think the concept of _why is important: Subject was trying to teach us something. They were creating an abstraction, or, maybe, an indirection. By keeping themselves private, they put an emphasis on the distance between _why-as-role and _why-as-person, since the second doesn’t exist. The focus was, as it should be, on the role.

This is also why it’s wrong to ‘track _why down.’ This doesn’t make any sense. Subject is not _why, they just played them on TV. I also think that’s why it’s not wrong to keep talking about _why, as long as we make sure that we’re actually talking about _why, and not about Subject. Subject deserves their privacy.

I also don’t mean that I want someone to literally ‘take up the mask’ of _why and publish under that name. What I mean is that if we want to take on the lessons that Subject taught us through their persona, we should periodically have becoming-_why moments.

On Sloppiness and blog posts written in haste

@steveklabnik hand write it, take a picture of it. leave the mistakes in.

— tef (@tef) January 6, 2013

Jan 16 2013

All the world’s a stage

_why vs. Subject

On Sloppiness and blog posts written in haste

Further reading